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| 001 | doab132820 | ||
| 003 | oapen | ||
| 005 | 20260305123954.0 | ||
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| 008 | 240112s2023 xx |||||o ||| 0|spa d | ||
| 020 | _a9788835155119 | ||
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_aTBG _2bicssc |
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| 720 | 1 |
_aCannella, Mirco _4edt |
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| 245 | 0 | 0 |
_aTransizioni = Transitions _bAttraversare Modulare Procedere = Cross Modulate Develop |
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_aMilan _bFrancoAngeli _c2023 |
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| 300 | _a1 online resource | ||
| 336 |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _adiségno | |
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_aFree-to-read _fUnrestricted online access _2star |
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| 520 | _aThe volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of 'Transitions', which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to 'drawing', with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord's intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. 'Transitions', almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction. | ||
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_aAll rights reserved _uhttp://oapen.org/content/about-rights |
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| 546 | _aEnglish | ||
| 546 | _aItalian | ||
| 546 | _aSpanish | ||
| 650 | 7 |
_aArchitectural structure and design _2bicssc |
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| 650 | 7 |
_aEngineering graphics and draughting / technical drawing _2bicssc |
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| 650 | 7 |
_aThe Arts: techniques and principles _2bicssc |
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| 653 | _aTransitions; Cross; Modulate; Develop; Drawing; Science of Representation | ||
| 720 | 1 |
_aCannella, Mirco _4oth |
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| 720 | 1 |
_aGarozzo, Alessia _4edt |
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| 720 | 1 |
_aGarozzo, Alessia _4oth |
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| 720 | 1 |
_aMorena, Sara _4edt |
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| 720 | 1 |
_aMorena, Sara _4oth |
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| 793 | 0 | _aDOAB Library. | |
| 856 | 4 | 0 |
_uhttps://directory.doabooks.org/handle/20.500.12854/132820 _70 _zFree-to-read: DOAB: description of the publication |
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_c93298 _d93298 |
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