| 000 | 02711namaa2200421uu 4500 | ||
|---|---|---|---|
| 001 | doab135000 | ||
| 003 | oapen | ||
| 005 | 20260305123954.0 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 240307s2024 xx |||||o ||| 0|eng d | ||
| 020 | _a9781003311690 | ||
| 020 | _a9781003311690 | ||
| 020 | _a9781032025940 | ||
| 020 | _a9781032106656 | ||
| 024 | 7 |
_a10.4324/9781003311690 _2doi |
|
| 040 |
_aoapen _coapen |
||
| 041 | 0 | _aeng | |
| 042 | _adc | ||
| 720 | 1 |
_aPrats-Arolas, Ignacio _4edt |
|
| 245 | 0 | 0 |
_aCognate Music Theories _bThe Past and the Other in Musicology (Essays in Honor of John Walter Hill) |
| 260 |
_bTaylor & Francis _c2024 |
||
| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 490 | 1 | _aRoutledge Research in Music | |
| 506 | 0 |
_aFree-to-read _fUnrestricted online access _2star |
|
| 520 | _aThis volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context. Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music. | ||
| 540 |
_aAll rights reserved _uhttp://oapen.org/content/about-rights |
||
| 546 | _aEnglish | ||
| 653 | _aPhilosophy,Music & Visual Arts,History,Criticism,Cognate music theory,Music theory,Musicology,Music history,History of music theory,Musical analysis,Musical rhetoric,Historically informed theory,Historically informed performance,Ethnomusicology,European music history,Early modern music,Baroque music,Classical music | ||
| 653 | _athema EDItEUR::A The Arts::AV Music | ||
| 653 | _athema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology | ||
| 720 | 1 |
_aPrats-Arolas, Ignacio _4oth |
|
| 793 | 0 | _aDOAB Library. | |
| 856 | 4 | 0 |
_uhttps://directory.doabooks.org/handle/20.500.12854/135000 _70 _zFree-to-read: DOAB: description of the publication |
| 999 |
_c93280 _d93280 |
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