000			03139namaa2200445uu 4500
001			doab135453
003			oapen
005			20260305123954.0
006			m o d
007			cr|mn|---annan
008			240308s2024 xx |||||o ||| 0|eng d
020			_a9780367684341
020			_a9780367684358
020			_a9781003137528
020			_a9781003137528
024	7		_a10.4324/9781003137528 _2doi
040			_aoapen _coapen
041	0		_aeng
042			_adc
072		7	_aAGA _2bicssc
720	1		_aBałus, Wojciech _4edt
245	0	0	_aArt Historiography and Iconologies Between West and East
260			_bTaylor & Francis _c2024
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aStudies in Art Historiography
506	0		_aFree-to-read _fUnrestricted online access _2star
520			_aThis volume explores a basic question in the historiography of art: the extent to which iconology was a homogenous research method in its own immutable right. By contributing to the rejection of the universalizing narrative, these case studies argue that there were many strands of iconology. Methods that differed from the 'canonised' approach of Panofsky were proposed by Godefridus Johannes Hoogewerff and Hans Sedlmayr. Researchers affiliated with the Warburg Institute in London also chose to distance themselves from Panofsky's work. Poland, in turn, was the breeding ground for yet another distinct variety of iconology. In Communist Czechoslovakia there were attempts to develop a 'Marxist iconology'. This book, written by recognized experts in the field, examines these and other major strands of iconology, telling the tale of iconology's reception in the countries formerly behind the Iron Curtain. Attitudes there ranged from enthusiastic acceptance in Poland, to critical reception in the Soviet Union, to reinterpretation in Czechoslovakia and the German Democratic Republic, and, finally, to outright rejection in Romania. The book will be of interest to scholars working in art history, visual studies, and historiography.
540			_aAll rights reserved _uhttp://oapen.org/content/about-rights
546			_aEnglish
650		7	_aHistory of art _2bicssc
653			_aart history,iconology,center,centre,periphery,Poland,methodology,politics,Warburg Institute,communism,Europe,Marxism,Soviet Union,Soviet bloc,social realism,Estonia,Czechoslovakia,German Democratic Republic,Germany,Romania,Western Europe,Eastern Europe,art historian,intellectual history,oppression,Central Europe,architecture,Godefridus Johannes Hoogewerff,Ernst H. Kantorowicz,Hans Sedlmayr,Jan Białostocki,Zofia Ameisenowa,Lech Kalinowski,Erwin Panofsky,Mikhail Liebmann,Mikhail Sokolov,Prague,Helga Sciurie,Jena,Friedrich Mobius
720	1		_aBałus, Wojciech _4oth
720	1		_aKunińska, Magdalena _4edt
720	1		_aKunińska, Magdalena _4oth
793	0		_aDOAB Library.
856	4	0	_uhttps://directory.doabooks.org/handle/20.500.12854/135453 _70 _zFree-to-read: DOAB: description of the publication
999			_c93271 _d93271