| 000 | 02948namaa2200481uu 4500 | ||
|---|---|---|---|
| 001 | doab93400 | ||
| 003 | oapen | ||
| 005 | 20260305123953.0 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 221102s2021 xx |||||o ||| 0|eng d | ||
| 020 | _a9780367231323 | ||
| 020 | _a9780367231354 | ||
| 020 | _a9780429278426 | ||
| 020 | _a9780429278426 | ||
| 024 | 7 |
_a10.4324/9780429278426 _2doi |
|
| 040 |
_aoapen _coapen |
||
| 041 | 0 | _aeng | |
| 042 | _adc | ||
| 072 | 7 |
_aAV _2bicssc |
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| 072 | 7 |
_aAVS _2bicssc |
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| 720 | 1 |
_aReid, Anna _4edt |
|
| 245 | 0 | 0 |
_aCreative Research in Music _bInformed Practice, Innovation and Transcendence |
| 260 |
_bTaylor & Francis _c2021 |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 506 | 0 |
_aFree-to-read _fUnrestricted online access _2star |
|
| 520 | _aCreative Research in Music explores what it means to be an artistic researcher in music in the twenty-first century. The book delineates the myriad processes that underpin successful artistic research in music, providing best practice exemplars ranging from Western classical art to local indigenous traditions, and from small to large-scale, multi-media and cross-cultural work formats. Drawing on the richness of creative research work at key institutions in South-East Asia and Australian, this book examines the social, political, historical and cultural driving forces that spur and inspire excellence in creative research to extend and to cross boundaries, to sustain our music industry, to advocate for the importance of music in our world, and to make it clear that music matters. In the chapters, our authors present the ideas of informed practice, innovation and transcendence from diverse international perspectives. Each of these three themes has an introductory section where the theme is explored and the chapters in that section introduced. Taken as a whole, the book discusses how the themes in combination, with reference to the authorial group, are able to transform music pedagogy and performance for our global and complex world. | ||
| 540 |
_aAll rights reserved _uhttp://oapen.org/content/about-rights |
||
| 546 | _aEnglish | ||
| 650 | 7 |
_aMusic _2bicssc |
|
| 650 | 7 |
_aTechniques of music / music tutorials _2bicssc |
|
| 653 | _aarts research, Australia, creative research, creativity, global music industry, informed practice, ISME, music pedagogy, music research, Oceania, performance, performance practice, Singapore, Southeast Asia, Thailand, | ||
| 720 | 1 |
_aCarrigan, Jeanell _4edt |
|
| 720 | 1 |
_aCarrigan, Jeanell _4oth |
|
| 720 | 1 |
_aPeres Da Costa, Neal _4edt |
|
| 720 | 1 |
_aPeres Da Costa, Neal _4oth |
|
| 720 | 1 |
_aReid, Anna _4oth |
|
| 793 | 0 | _aDOAB Library. | |
| 856 | 4 | 0 |
_uhttps://directory.doabooks.org/handle/20.500.12854/93400 _70 _zFree-to-read: DOAB: description of the publication |
| 999 |
_c93191 _d93191 |
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