| 000 | 03302namaa2200601uu 4500 | ||
|---|---|---|---|
| 001 | doab132103 | ||
| 003 | oapen | ||
| 005 | 20260305123952.0 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 231220s2024 xx |||||o ||| 0|eng d | ||
| 020 | _a9781003263234 | ||
| 020 | _a9781003263234 | ||
| 020 | _a9781032203317 | ||
| 020 | _a9781032203324 | ||
| 024 | 7 |
_a10.4324/9781003263234 _2doi |
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| 040 |
_aoapen _coapen |
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| 041 | 0 | _aeng | |
| 042 | _adc | ||
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| 072 | 7 |
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| 720 | 1 |
_aHughes-Warrington, Marnie _4edt |
|
| 245 | 0 | 0 | _aThe Routledge Companion to History and the Moving Image |
| 260 |
_bTaylor & Francis _c2024 |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 506 | 0 |
_aFree-to-read _fUnrestricted online access _2star |
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| 520 | _aThe Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The volume addresses moving image history through a theoretical lens; modes and genres; representation, race, and identity; and evolving forms and formats. It brings together a range of scholars from across the globe who specialize in film and media studies, cultural studies, history, philosophy of history, and education. Together, the chapters provide a necessary contemporary analysis that covers new developments and questions that arise from the shift to digital screen culture. The book examines technological and ethical concerns stemming from today's media landscape, but it also considers the artificial construction of the boundaries between professional expertise and amateur production. Each contributor?s unique approach highlights the necessity of engaging with moving images for the academic discipline of history. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications. | ||
| 540 |
_aAll rights reserved _uhttp://oapen.org/content/about-rights |
||
| 546 | _aEnglish | ||
| 650 | 7 |
_aFilm history, theory or criticism _2bicssc |
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| 650 | 7 |
_aFilm: styles and genres _2bicssc |
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| 650 | 7 |
_aGeneral and world history _2bicssc |
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| 650 | 7 |
_aHistoriography _2bicssc |
|
| 650 | 7 |
_aHistory _2bicssc |
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| 650 | 7 |
_aSocial and cultural history _2bicssc |
|
| 650 | 7 |
_aTelevision _2bicssc |
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| 653 | _aCommunications; Television; Historiography; Media history; Cinema; Historical films; Media studies; Digital screen culture; Film | ||
| 720 | 1 |
_aHughes-Warrington, Marnie _4oth |
|
| 720 | 1 |
_aNelson, Kim _4edt |
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| 720 | 1 |
_aNelson, Kim _4oth |
|
| 720 | 1 |
_aTreacey, Mia _4edt |
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| 720 | 1 |
_aTreacey, Mia _4oth |
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| 793 | 0 | _aDOAB Library. | |
| 856 | 4 | 0 |
_uhttps://directory.doabooks.org/handle/20.500.12854/132103 _70 _zFree-to-read: DOAB: description of the publication |
| 999 |
_c93161 _d93161 |
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