000 02288namaa2200409uu 4500
001 doab91607
003 oapen
005 20260305123950.0
006 m o d
007 cr|mn|---annan
008 220901s2022 xx |||||o ||| 0|eng d
020 _a9780367439217
020 _a9781003006497
020 _a9781032057118
040 _aoapen
_coapen
041 0 _aeng
042 _adc
072 7 _aAV
_2bicssc
720 1 _aRoy, Elodie A.
_4edt
245 0 0 _aPhonographic Encounters
_bMapping Transnational Cultures of Sound, 1890-1945
260 _bTaylor & Francis
_c2022
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
506 0 _aFree-to-read
_fUnrestricted online access
_2star
520 _aThis cross-disciplinary volume illuminates the history of early phonography from a transnational perspective, recovering the myriad sites, knowledge practices, identities and discourses which dynamically shaped early recording cultures. With case studies from China, Australia, the United States, Latin America, Russia, Sweden, Germany, Spain, Portugal, France, and Italy, Phonographic Encounters explores moments of interaction and encounter, as well as tensions, between local and global understandings of recording technologies. Drawing on an array of archival sources often previously unavailable in English, it moves beyond western-centric narratives of early phonography and beyond the strict confines of the recording industry. Contributions from media history, musicology, popular music studies, cultural studies, area studies and the history of science and technology make this book a key and innovative resource for understanding early phonography against the backdrop of colonial and global power relations.
540 _aAll rights reserved
_uhttp://oapen.org/content/about-rights
546 _aEnglish
650 7 _aMusic
_2bicssc
653 _aMusic/Sound Studies
720 1 _aMoreda Rodriguez, Eva
_4edt
720 1 _aMoreda Rodriguez, Eva
_4oth
720 1 _aRoy, Elodie A.
_4oth
793 0 _aDOAB Library.
856 4 0 _uhttps://directory.doabooks.org/handle/20.500.12854/91607
_70
_zFree-to-read: DOAB: description of the publication
999 _c93018
_d93018