| 000 | 03173namaa2200529uu 4500 | ||
|---|---|---|---|
| 001 | doab37802 | ||
| 003 | oapen | ||
| 005 | 20260305123950.0 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 210210s2020 xx |||||o ||| 0|eng d | ||
| 020 | _a9781526142856 | ||
| 040 |
_aoapen _coapen |
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| 041 | 0 | _aeng | |
| 042 | _adc | ||
| 072 | 7 |
_a3B _2bicssc |
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| 072 | 7 |
_aABA _2bicssc |
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| 072 | 7 |
_aNH _2bicssc |
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| 072 | 7 |
_aNKD _2bicssc |
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| 720 | 1 |
_aBack Danielsson, Ing-Marie _4edt |
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| 245 | 0 | 0 |
_aImages in the making _bArt, process, archaeology |
| 260 |
_aManchester _bManchester University Press _c2020 |
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| 300 | _a1 online resource (248 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 506 | 0 |
_aFree-to-read _fUnrestricted online access _2star |
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| 520 | _aThis book presents a study of material images and asks how an appreciation of the making and unfolding of images and art alters archaeological accounts of prehistoric and historic societies. With contributions focusing on case studies including prehistoric Britain, Scandinavia, Iberia, the Americas and Dynastic Egypt, and including contemporary reflections on material images, it makes a novel contribution to ongoing debates relating to archaeological art and images. The book offers a New Materialist analysis of archaeological imagery, with an emphasis on considering the material character of images and their making and unfolding. The book reassesses the predominantly representational paradigm of archaeological image analysis and argues for the importance of considering the ontology of images. It considers images as processes or events and introduces the verb 'imaging' to underline the point that images are conditions of possibility that draw together differing aspects of the world. The book is divided into three sections: 'Emergent images', which focuses on practices of making; 'Images as process', which examines the making and role of images in prehistoric societies; and 'Unfolding images', which focuses on how images change as they are made and circulated. The book features contributions from archaeologists, Egyptologists, anthropologists and artists. The contributors to the book highlight the multiple role of images in prehistoric and historic societies, demonstrating that archaeologists need to recognise the dynamic and changeable character of images. | ||
| 540 |
_aAll rights reserved _uhttp://oapen.org/content/about-rights |
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| 546 | _aEnglish | ||
| 650 | 7 |
_aArchaeology by period / region _2bicssc |
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| 650 | 7 |
_aHistory _2bicssc |
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| 650 | 7 |
_aPrehistory _2bicssc |
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| 650 | 7 |
_aTheory of art _2bicssc |
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| 653 | _aimages | ||
| 653 | _aimaging | ||
| 653 | _amaking | ||
| 653 | _aNew Materialism | ||
| 653 | _aontology | ||
| 653 | _aprocess | ||
| 653 | _aunfolding | ||
| 720 | 1 |
_aBack Danielsson, Ing-Marie _4oth |
|
| 720 | 1 |
_aMeirion Jones, Andrew _4edt |
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| 720 | 1 |
_aMeirion Jones, Andrew _4oth |
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| 793 | 0 | _aDOAB Library. | |
| 856 | 4 | 0 |
_uhttps://directory.doabooks.org/handle/20.500.12854/37802 _70 _zFree-to-read: DOAB: description of the publication |
| 999 |
_c92981 _d92981 |
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