000			02095namaa2200385uu 4500
001			doab64291
003			oapen
005			20260305123946.0
006			m o d
007			cr|mn|---annan
008			210403s2017 xx |||||o ||| 0|eng d
020			_a9780367229924
020			_a9781315607702
020			_a9781472471055
040			_aoapen _coapen
041	0		_aeng
042			_adc
072		7	_aAV _2bicssc
720	1		_aDixon, Gavin _4edt
245	0	0	_aSchnittke Studies
260			_bTaylor & Francis _c2017
300			_a1 online resource (332 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
506	0		_aFree-to-read _fUnrestricted online access _2star
520			_aAlfred Schnittke (1934-1998) was arguably the most important Russian composer since Shostakovich, and his music has generated a great deal of academic interest in the years since his death. Schnittke Studies provides a variety of perspectives on the composer and his music. The field is currently diverse and vibrant, and this book demonstrates the range of academic approaches being applied to Schnittke's work and the insights they provide, covering: polystylism, for which Schnittke is best known, the significance of the composer's Christian faith, and detailed formal analyses of key works, with connections drawn between the apparently divergent periods of the composer's career. This book has been prepared as a memorial to Professor Alexander Ivashkin, a leading scholar in the field, who died in 2014, and will be of interest not only to those studying Schnittke's music, but also those with an interest in late Soviet-era music in general.
540			_aAll rights reserved _uhttp://oapen.org/content/about-rights
546			_aEnglish
650		7	_aMusic _2bicssc
653			_aSchnittke, polystylistic, schemata
720	1		_aDixon, Gavin _4oth
793	0		_aDOAB Library.
856	4	0	_uhttps://directory.doabooks.org/handle/20.500.12854/64291 _70 _zFree-to-read: DOAB: description of the publication
999			_c92748 _d92748