000			02060namaa2200433uu 4500
001			doab33534
003			oapen
005			20260305123945.0
006			m o d
007			cr|mn|---annan
008			210210s2020 xx |||||o ||| 0|eng d
020			_a9781526131614
040			_aoapen _coapen
041	0		_aeng
042			_adc
072		7	_aD _2bicssc
720	1		_aContzen, Eva von _4edt
245	0	0	_aEnacting the Bible in medieval and early modern drama
260			_aManchester _bManchester University Press _c2020
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
506	0		_aFree-to-read _fUnrestricted online access _2star
520			_aThe thirteen chapters in this collection open up new horizons for the study of biblical drama by putting special emphasis on multitemporality, the intersections of biblical narrative and performance, and the strategies employed by playwrights to rework and adapt the biblical source material in Catholic, Protestant and Jewish culture. Aspects under scrutiny include dramatic traditions, confessional and religious rites, dogmas and debates, conceptualisations of performance, and audience response. The contributors stress the co-presence of biblical and contemporary concerns in the periods under discussion, conceiving of biblical drama as a central participant in the dynamic struggle to both interpret and translate the Bible.
540			_aAll rights reserved _uhttp://oapen.org/content/about-rights
546			_aEnglish
650		7	_aLiterature & literary studies _2bicssc
653			_aBible
653			_aculture
653			_aearly modern drama
653			_aliterature
653			_amedieval
720	1		_aContzen, Eva von _4oth
720	1		_aGoodblatt, Chanita _4edt
720	1		_aGoodblatt, Chanita _4oth
793	0		_aDOAB Library.
856	4	0	_uhttps://directory.doabooks.org/handle/20.500.12854/33534 _70 _zFree-to-read: DOAB: description of the publication
999			_c92660 _d92660