02948namaa2200481uu 4500001001000000003000600010005001700016006001900033007001500052008004100067020001800108020001800126020001800144020001800162024003100180040001700211041000800228042000700236072001500243072001600258720002000274245008000294260002700374300002200401336002600423337002600449338003600475506005100511520125400562540006301816546001201879650001801891650005001909653022201959720002702181720002702208720003002235720003002265720002002295793001802315856011602333999001702449doab93400oapen20260305123953.0m     o  d        cr|mn|---annan221102s2021    xx |||||o     ||| 0|eng d  a9780367231323  a9780367231354  a9780429278426  a97804292784267 a10.4324/97804292784262doi  aoapencoapen0 aeng  adc 7aAV2bicssc 7aAVS2bicssc1 aReid, Anna4edt00aCreative Research in MusicbInformed Practice, Innovation and Transcendence  bTaylor & Francisc2021  a1 online resource  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aFree-to-readfUnrestricted online access2star  aCreative Research in Music explores what it means to be an artistic researcher in music in the twenty-first century. The book delineates the myriad processes that underpin successful artistic research in music, providing best practice exemplars ranging from Western classical art to local indigenous traditions, and from small to large-scale, multi-media and cross-cultural work formats. Drawing on the richness of creative research work at key institutions in South-East Asia and Australian, this book examines the social, political, historical and cultural driving forces that spur and inspire excellence in creative research to extend and to cross boundaries, to sustain our music industry, to advocate for the importance of music in our world, and to make it clear that music matters. In the chapters, our authors present the ideas of informed practice, innovation and transcendence from diverse international perspectives. Each of these three themes has an introductory section where the theme is explored and the chapters in that section introduced. Taken as a whole, the book discusses how the themes in combination, with reference to the authorial group, are able to transform music pedagogy and performance for our global and complex world.  aAll rights reserveduhttp://oapen.org/content/about-rights  aEnglish 7aMusic2bicssc 7aTechniques of music / music tutorials2bicssc  aarts research, Australia, creative research, creativity, global music industry, informed practice, ISME, music pedagogy, music research, Oceania, performance, performance practice, Singapore, Southeast Asia, Thailand,1 aCarrigan, Jeanell4edt1 aCarrigan, Jeanell4oth1 aPeres Da Costa, Neal4edt1 aPeres Da Costa, Neal4oth1 aReid, Anna4oth0 aDOAB Library.40uhttps://directory.doabooks.org/handle/20.500.12854/9340070zFree-to-read: DOAB: description of the publication  c93191d93191