03004namaa2200481uu 4500001001100000003000600011005001700017006001900034007001500053008004100068020001800109020001800127020001800145020001800163024003100181040001700212041000800229042000700237072001500244072001800259072001700277720002300294245008700317260002700404300002200431336002600453337002600479338003600505506005100541520147400592540006302066546001202129650002602141650001802167650002802185653008402213720002302297720002502320720002502345793001802370856011702388999001702505doab114077oapen20260305123952.0m     o  d        cr|mn|---annan230915s2021    xx |||||o     ||| 0|eng d  a9780367463540  a9780367610081  a9781003028406  a97810030284067 a10.4324/97810030284062doi  aoapencoapen0 aeng  adc 7aAN2bicssc 7aAVGC92bicssc 7aJFFS2bicssc1 aGarde, Ulrike4edt00aTheatre and InternationalizationbPerspectives from Australia, Germany, and Beyond  bTaylor & Francisc2021  a1 online resource  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aFree-to-readfUnrestricted online access2star  aTheatre and Internationalization examines how internationalization affects the processes and aesthetics of theatre, and how this art form responds dramatically and thematically to internationalization beyond the stage. With central examples drawn from Australia and Germany from the 1930s to the present day, the book considers theatre and internationalization through a range of theoretical lenses and methodological practices, including archival research, aviation history, theatre historiography, arts policy, organizational theory, language analysis, academic-practitioner insights, and literary-textual studies. While drawing attention to the ways in which theatre and internationalization might be contributing productively to each other and to the communities in which they operate, it also acknowledges the limits and problematic aspects of internationalization. Taking an unusually wide approach to theatre, the book includes chapters by specialists in popular commercial theatre, disability theatre, Indigenous performance, theatre by and for refugees and other migrants, young people as performers, opera and operetta, and spoken art theatre. An excellent resource for academics and students of theatre and performance studies, especially in the fields of spoken theatre, opera and operetta studies, and migrant theatre, Theatre and Internationalization explores how theatre shapes and is shaped by international flows of people, funds, practices, and works.  aAll rights reserveduhttp://oapen.org/content/about-rights  aEnglish 7aGlobalization2bicssc 7aOpera2bicssc 7aTheatre studies2bicssc  aAustralia, Beyond, Garde, Germany, Internationalization, Perspectives, Theatre,1 aGarde, Ulrike4oth1 aSevern, John R.4edt1 aSevern, John R.4oth0 aDOAB Library.40uhttps://directory.doabooks.org/handle/20.500.12854/11407770zFree-to-read: DOAB: description of the publication  c93138d93138