03173namaa2200529uu 4500001001000000003000600010005001700016006001900033007001500052008004100067020001800108040001700126041000800143042000700151072001500158072001600173072001500189072001600204720003600220245005200256260005000308300003100358336002600389337002600415338003600441506005100477520158600528540006302114546001202177650004302189650002002232650002302252650002602275653001102301653001202312653001102324653002002335653001302355653001202368653001402380720003602394720003102430720003102461793001802492856011602510999001702626doab37802oapen20260305123950.0m     o  d        cr|mn|---annan210210s2020    xx |||||o     ||| 0|eng d  a9781526142856  aoapencoapen0 aeng  adc 7a3B2bicssc 7aABA2bicssc 7aNH2bicssc 7aNKD2bicssc1 aBack Danielsson, Ing-Marie4edt00aImages in the makingbArt, process, archaeology  aManchesterbManchester University Pressc2020  a1 online resource (248 p.)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aFree-to-readfUnrestricted online access2star  aThis book presents a study of material images and asks how an appreciation of the making and unfolding of images and art alters archaeological accounts of prehistoric and historic societies. With contributions focusing on case studies including prehistoric Britain, Scandinavia, Iberia, the Americas and Dynastic Egypt, and including contemporary reflections on material images, it makes a novel contribution to ongoing debates relating to archaeological art and images. The book offers a New Materialist analysis of archaeological imagery, with an emphasis on considering the material character of images and their making and unfolding. The book reassesses the predominantly representational paradigm of archaeological image analysis and argues for the importance of considering the ontology of images. It considers images as processes or events and introduces the verb 'imaging' to underline the point that images are conditions of possibility that draw together differing aspects of the world. The book is divided into three sections: 'Emergent images', which focuses on practices of making; 'Images as process', which examines the making and role of images in prehistoric societies; and 'Unfolding images', which focuses on how images change as they are made and circulated. The book features contributions from archaeologists, Egyptologists, anthropologists and artists. The contributors to the book highlight the multiple role of images in prehistoric and historic societies, demonstrating that archaeologists need to recognise the dynamic and changeable character of images.  aAll rights reserveduhttp://oapen.org/content/about-rights  aEnglish 7aArchaeology by period / region2bicssc 7aHistory2bicssc 7aPrehistory2bicssc 7aTheory of art2bicssc  aimages  aimaging  amaking  aNew Materialism  aontology  aprocess  aunfolding1 aBack Danielsson, Ing-Marie4oth1 aMeirion Jones, Andrew4edt1 aMeirion Jones, Andrew4oth0 aDOAB Library.40uhttps://directory.doabooks.org/handle/20.500.12854/3780270zFree-to-read: DOAB: description of the publication  c92981d92981