02668namaa2200421uu 4500001001000000003000600010005001700016006001900033007001500052008004100067020003200108040001700140041000800157042000700165720003300172245005000205260002700255300003100282336002600313337002600339338003600365506005100401520132800452540006301780546001201843653001201855653001901867653001601886653004001902720003201942720003201974720003302006720002802039720002802067793001802095856011602113999001702229doab28173oapen20260305123950.0m     o  d        cr|mn|---annan210210s2018    xx |||||o     ||| 0|eng d  a9781315281452;9781138241053  aoapencoapen0 aeng  adc1 aLindmayr-Brandl, Andrea4edt00aEarly Music Printing in German-Speaking Lands  bTaylor & Francisc2018  a1 online resource (272 p.)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aFree-to-readfUnrestricted online access2star  aThe first century of music printing in Germany had its own internal dynamics, affected by political and social events such as the Reformation. Yet it also had an international dimension: German printers set up shops all around Europe, taking materials and techniques with them, or exporting necessary materials such as type. For the first time, this collection brings together the different strands that define the German music printing landscape from the late fifteenth to the late sixteenth century. From the earliest developments in music printing and publishing, to printing techniques and solutions, the commerce of music printing, and intellectual history, the chapters outline broad trends in the production of different genres of printed books and examine the work of individual printers. The book draws upon the rich information gathered for the online database Catalogue of early German printed music / Verzeichnis deutscher Musikfruhdrucke (vdm), the first systematic descriptive catalogue of music printed in the German-speaking lands between c. 1470 and 1540, allowing precise conclusions about the material production of these printed musical sources. The result is a highly original and varied picture of the beginnings of music printing in a geographical region that, until now, has been somewhat neglected.  aAll rights reserveduhttp://oapen.org/content/about-rights  aEnglish  agermany  amusic printing  areformation  athema EDItEUR::A The Arts::AV Music1 aGiselbrecht, Elisabeth4edt1 aGiselbrecht, Elisabeth4oth1 aLindmayr-Brandl, Andrea4oth1 aMcDonald, Grantley4edt1 aMcDonald, Grantley4oth0 aDOAB Library.40uhttps://directory.doabooks.org/handle/20.500.12854/2817370zFree-to-read: DOAB: description of the publication  c92970d92970