02400namaa2200433uu 4500001001000000003000600010005001700016006001900033007001500052008004100067020001800108020001800126020001800144020001800162024003100180040001700211041000800228042000700236072001500243720003200258245007100290260002700361300002200388336002600410337002600436338003600462506005100498520102200549540006301571546001201634650002301646653006601669720003201735720002401767720002401791793001801815856011601833999001701949doab74984oapen20260305123949.0m     o  d        cr|mn|---annan211216s2021    xx |||||o     ||| 0|eng d  a9780367203641  a9781003179443  a9781003179443  a97810320164987 a10.4324/97810031794432doi  aoapencoapen0 aeng  adc 7aHP2bicssc1 aBertinetto, Alessandro4edt00aThe Routledge Handbook of Philosophy and Improvisation in the Arts  bTaylor & Francisc2021  a1 online resource  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aFree-to-readfUnrestricted online access2star  aThe idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of "coloration" or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered.  aAll rights reserveduhttp://oapen.org/content/about-rights  aEnglish 7aPhilosophy2bicssc  aPhilosophy, Ontology, Music, Improvisation, Arts, Performance1 aBertinetto, Alessandro4oth1 aRuta, Marcello4edt1 aRuta, Marcello4oth0 aDOAB Library.40uhttps://directory.doabooks.org/handle/20.500.12854/7498470zFree-to-read: DOAB: description of the publication  c92901d92901