02523namaa2200349uu 4500001001000000003000600010005001700016006001900033007001500052008004100067020001800108020001800126020001800144040001700162041000800179042000700187072001500194720002700209245006900236260002700305300002200332336002600354337002600380338003600406506005100442520140800493540006301901546001201964650004601976653003502022856011602057doab72157oapen20260305123947.0m     o  d        cr|mn|---annan211008s2021    xx |||||o     ||| 0|eng d  a9781003185536  a9781032028590  a9781032028606  aoapencoapen0 aeng  adc 7aDS2bicssc1 aKellermann, Jonas4aut00aDramaturgies of Love in Romeo and JulietbWord, Music, and Dance  bTaylor & Francisc2021  a1 online resource  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aFree-to-readfUnrestricted online access2star  aBringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of "unspeakable" love in one of the most famous love stories in literary history: the tragic romance of Romeo and Juliet. Through in-depth case studies and historical contextualisation, this book showcases how the "woes that no words can sound" of Shakespeare's iconic lovers nevertheless have found expression not only in his verbal poetry, but also in non-verbal adaptations of the play in 19th-century symphonic music and 20th- and 21st-century theatre dance. Combining methodological approaches from diverse disciplines, including affect theory, musicology, and dance studies, this study opens up a new perspective onto the artistic representation of love, defining amorous emotion as a generically transformative constellation of dialogic performativity. To explore how this constellation has become manifest across the arts, this book analyses and compares dramatic, musical, and choreographic dramatisations of love in William Shakespeare's early modern tragedy, French composer Hector Berlioz's dramatic symphony Roméo et Juliette (1839), and the staging of Berlioz's symphony by German contemporary choreographer Sasha Waltz for the Paris Opera Ballet (2007).  aAll rights reserveduhttp://oapen.org/content/about-rights  aEnglish 7aLiterature: history and criticism2bicssc  aLiterary Criticism, Shakspeare40uhttps://directory.doabooks.org/handle/20.500.12854/7215770zFree-to-read: DOAB: description of the publication