02095namaa2200385uu 4500001001000000003000600010005001700016006001900033007001500052008004100067020001800108020001800126020001800144040001700162041000800179042000700187072001500194720002200209245002200231260002700253300003100280336002600311337002600337338003600363506005100399520095400450540006301404546001201467650001801479653003901497720002201536793001801558856011601576999001701692doab64291oapen20260305123946.0m     o  d        cr|mn|---annan210403s2017    xx |||||o     ||| 0|eng d  a9780367229924  a9781315607702  a9781472471055  aoapencoapen0 aeng  adc 7aAV2bicssc1 aDixon, Gavin4edt00aSchnittke Studies  bTaylor & Francisc2017  a1 online resource (332 p.)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aFree-to-readfUnrestricted online access2star  aAlfred Schnittke (1934-1998) was arguably the most important Russian composer since Shostakovich, and his music has generated a great deal of academic interest in the years since his death. Schnittke Studies provides a variety of perspectives on the composer and his music. The field is currently diverse and vibrant, and this book demonstrates the range of academic approaches being applied to Schnittke's work and the insights they provide, covering: polystylism, for which Schnittke is best known, the significance of the composer's Christian faith, and detailed formal analyses of key works, with connections drawn between the apparently divergent periods of the composer's career. This book has been prepared as a memorial to Professor Alexander Ivashkin, a leading scholar in the field, who died in 2014, and will be of interest not only to those studying Schnittke's music, but also those with an interest in late Soviet-era music in general.  aAll rights reserveduhttp://oapen.org/content/about-rights  aEnglish 7aMusic2bicssc  aSchnittke, polystylistic, schemata1 aDixon, Gavin4oth0 aDOAB Library.40uhttps://directory.doabooks.org/handle/20.500.12854/6429170zFree-to-read: DOAB: description of the publication  c92748d92748