02086namaa2200409uu 4500001001000000003000600010005001700016006001900033007001500052008004100067040001700108041000800125042000700133072001600140072001600156720002600172245008900198260002700287300003100314336002600345337002600371338003600397506005100433520080700484540006301291546001201354650002601366650002301392653000901415653001901424720002601443720002801469720002801497793001801525856011601543999001701659doab36363oapen20260305123946.0m     o  d        cr|mn|---annan210210s2012    xx |||||o     ||| 0|eng d  aoapencoapen0 aeng  adc 7aATF2bicssc 7aATJ2bicssc1 aLim, David C. L.4edt00aFilm in contemporary Southeast AsiabCultural Interpretation and Social Intervention  bTaylor & Francisc2012  a1 online resource (226 p.)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aFree-to-readfUnrestricted online access2star  aThis book discusses contemporary film in all the main countries of Southeast Asia, and the social practices and ideologies which films either represent or oppose. It shows how film acquires signification through cultural interpretation, and how film also serves as a site of contestations between social and political agents seeking to promote, challenge, or erase certain meanings, messages or ideas from public circulation. A unique feature of the book is that it focuses as much on films as it does on the societies from which these films emerge: it considers the reasons for film-makers taking the positions they take; the positions and counter-positions taken; the response of different communities; and the extent to which these interventions are connected to global flows of culture and capital.  aAll rights reserveduhttp://oapen.org/content/about-rights  aEnglish 7aFilms, cinema2bicssc 7aTelevision2bicssc  aFilm  aSoutheast Asia1 aLim, David C. L.4oth1 aYamamoto, Hiroyuki4edt1 aYamamoto, Hiroyuki4oth0 aDOAB Library.40uhttps://directory.doabooks.org/handle/20.500.12854/3636370zFree-to-read: DOAB: description of the publication  c92737d92737