02865namaa2200421uu 4500001001000000003000600010005001700016006001900033007001500052008004100067020001800108020001800126040001700144041000800161042000700169072001600176072001700192720002300209245005300232260002700285300002200312336002600334337002600360338003600386506005100422520143100473540006301904546001201967650004501979650002802024653017102052720002302223720002302246720002302269793001802292856011602310999001702426doab38490oapen20260305123946.0m o d cr|mn|---annan210210s2019 xx |||||o ||| 0|eng d a9780429488221 a9781138594470 aoapencoapen0 aeng adc 7aATD2bicssc 7aATDF2bicssc1 aSyler, Claire4edt00aCasting a MovementbThe Welcome Table Initiative bTaylor & Francisc2019 a1 online resource atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier0 aFree-to-readfUnrestricted online access2star a"Casting a Movement brings together US-based actors, directors, educators, playwrights, and scholars to explore the cultural politics of casting. Drawing on the notion of a ""welcome table""-a space where artists of all backgrounds can come together as equals to create theatre-the book's contributors discuss casting practices as they relate to varying communities and contexts, including Middle Eastern American theatre, Disability culture, multilingual performance, Native American theatre, color- and culturally-conscious casting, and casting as a means to dismantle stereotypes. Syler and Banks suggest that casting is a way to invite more people to the table so that the full breadth of US identities can be reflected onstage, and that casting is inherently a political act; because an actor's embodied presence both communicates a dramatic narrative and evokes cultural assumptions associated with appearance, skin color, gender, sexuality, and ability, casting choices are never neutral. By bringing together a variety of artistic perspectives to discuss common goals and particular concerns related to casting, this volume features the insights and experiences of a broad range of practitioners and experts across the field. As a resource-driven text suitable for both practitioners and academics, Casting a Movement seeks to frame and mobilize a social movement focused on casting, access, and representation." aAll rights reserveduhttp://oapen.org/content/about-rights aEnglish 7aTheatre direction and production2bicssc 7aTheatre studies2bicssc aAudition, Blackface, Colourblind, Diversity, Ensemble, Ethical, Race, Redface, Representation, Whiteface, culturally conscious casting, social movement, welcome table1 aBanks, Daniel4edt1 aBanks, Daniel4oth1 aSyler, Claire4oth0 aDOAB Library.40uhttps://directory.doabooks.org/handle/20.500.12854/3849070zFree-to-read: DOAB: description of the publication c92730d92730