02060namaa2200433uu 4500001001000000003000600010005001700016006001900033007001500052008004100067020001800108040001700126041000800143042000700151072001400158720002600172245005800198260005000256300002200306336002600328337002600354338003600380506005100416520073600467540006301203546001201266650004201278653001001320653001201330653002301342653001501365653001301380720002601393720002801419720002801447793001801475856011601493999001701609doab33534oapen20260305123945.0m     o  d        cr|mn|---annan210210s2020    xx |||||o     ||| 0|eng d  a9781526131614  aoapencoapen0 aeng  adc 7aD2bicssc1 aContzen, Eva von4edt00aEnacting the Bible in medieval and early modern drama  aManchesterbManchester University Pressc2020  a1 online resource  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aFree-to-readfUnrestricted online access2star  aThe thirteen chapters in this collection open up new horizons for the study of biblical drama by putting special emphasis on multitemporality, the intersections of biblical narrative and performance, and the strategies employed by playwrights to rework and adapt the biblical source material in Catholic, Protestant and Jewish culture. Aspects under scrutiny include dramatic traditions, confessional and religious rites, dogmas and debates, conceptualisations of performance, and audience response. The contributors stress the co-presence of biblical and contemporary concerns in the periods under discussion, conceiving of biblical drama as a central participant in the dynamic struggle to both interpret and translate the Bible.  aAll rights reserveduhttp://oapen.org/content/about-rights  aEnglish 7aLiterature & literary studies2bicssc  aBible  aculture  aearly modern drama  aliterature  amedieval1 aContzen, Eva von4oth1 aGoodblatt, Chanita4edt1 aGoodblatt, Chanita4oth0 aDOAB Library.40uhttps://directory.doabooks.org/handle/20.500.12854/3353470zFree-to-read: DOAB: description of the publication  c92660d92660