03268namaa2200469uu 4500001001000000003000600010005001700016006001900033007001500052008004100067020001800108020001800126040001700144041000800161042000700169072001600176072001700192072001600209720002400225245007300249260002700322300002200349336002600371337002600397338003600423506005100459520161300510540006302123546001202186650003802198650003502236650004602271653020402317720002402521720002502545720002502570720002602595720002602621793001802647856011602665999001702781doab36292oapen20260305123943.0m     o  d        cr|mn|---annan210210s2020    xx |||||o     ||| 0|eng d  a9780367347963  a9780367508043  aoapencoapen0 aeng  adc 7aDSB2bicssc 7aHPCF2bicssc 7aHPN2bicssc1 aAxelsson, Karl4edt00aBeyond Autonomy in Eighteenth-Century British and Germany Aesthetics  bTaylor & Francisc2020  a1 online resource  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aFree-to-readfUnrestricted online access2star  a"This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests.  The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others.  This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic."  aAll rights reserveduhttp://oapen.org/content/about-rights  aEnglish 7aLiterary studies: general2bicssc 7aPhilosophy: aesthetics2bicssc 7aWestern philosophy, from c 1900 -2bicssc  aModern Philosophy, Aesthetics, 18th Century Literature, Philosophy of Art & Aesthetics, Philosophy of Literature, History of Philosophy, Literature & Philosophy, German Literature, British Literature1 aAxelsson, Karl4oth1 aFlodin, Camilla4edt1 aFlodin, Camilla4oth1 aPirholt, Mattias4edt1 aPirholt, Mattias4oth0 aDOAB Library.40uhttps://directory.doabooks.org/handle/20.500.12854/3629270zFree-to-read: DOAB: description of the publication  c92542d92542