<?xml version="1.0" encoding="UTF-8"?>
<record
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd"
    xmlns="http://www.loc.gov/MARC21/slim">

  <leader>01478cam a22002531  4500</leader>
  <controlfield tag="001">ca 07006255 </controlfield>
  <controlfield tag="003">DLC</controlfield>
  <controlfield tag="005">20260227111046.0</controlfield>
  <controlfield tag="007">cr |||||||||||</controlfield>
  <controlfield tag="008">781018s1884    mou           000 0 eng  </controlfield>
  <datafield tag="010" ind1=" " ind2=" ">
    <subfield code="a">ca 07006255 </subfield>
  </datafield>
  <datafield tag="040" ind1=" " ind2=" ">
    <subfield code="a">DLC</subfield>
    <subfield code="c">DLC</subfield>
    <subfield code="d">DLC</subfield>
  </datafield>
  <datafield tag="050" ind1="0" ind2="0">
    <subfield code="a">GV1741</subfield>
    <subfield code="b">.P4</subfield>
  </datafield>
  <datafield tag="100" ind1="1" ind2=" ">
    <subfield code="a">Penn, W. E.</subfield>
  </datafield>
  <datafield tag="245" ind1="1" ind2="0">
    <subfield code="a">There is no harm in dancing,</subfield>
    <subfield code="c">by W. E. Penn, with an introduction by Rev. J. H. Stribling ...</subfield>
  </datafield>
  <datafield tag="260" ind1=" " ind2=" ">
    <subfield code="a">St. Louis, Mo.,</subfield>
    <subfield code="b">L. E. Kline,</subfield>
    <subfield code="c">1884.</subfield>
  </datafield>
  <datafield tag="300" ind1=" " ind2=" ">
    <subfield code="a">58 p.</subfield>
    <subfield code="c">15 cm.</subfield>
  </datafield>
  <datafield tag="500" ind1=" " ind2=" ">
    <subfield code="a">Published later under title: The upas tree ...</subfield>
  </datafield>
  <datafield tag="520" ind1=" " ind2=" ">
    <subfield code="a">The basic premise in this antidance treatise is typical of this genre of dance literature; namely, dance is bad for the health and is a waste of money. The author utilizes a novel approach and uses trees as metaphors to support his arguments. Some trees are "not comely to look upon, but the fruit very good." Other trees have dangerous fruit, and the author concludes that samples of the fruit found on the tree of dancing include "pride, lasciviousness, lying, drunkenness, embezzlement, fornication, cruelty, idolatry, prostitution, abortion, and assassination." The manual was reissued in 1886 as The upas tree.</subfield>
  </datafield>
  <datafield tag="530" ind1=" " ind2=" ">
    <subfield code="a">Available also through the Library of Congress Web site as facsimile page images and full text.</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="0">
    <subfield code="a">Dance</subfield>
    <subfield code="x">Moral and ethical aspects.</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="4">
    <subfield code="a">Antidance Literature.</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2="1">
    <subfield code="d">musdi</subfield>
    <subfield code="f">136</subfield>
    <subfield code="u">http://hdl.loc.gov/loc.music/musdi.136</subfield>
    <subfield code="q">s</subfield>
  </datafield>
  <datafield tag="999" ind1=" " ind2=" ">
    <subfield code="c">13708</subfield>
    <subfield code="d">13708</subfield>
  </datafield>
</record>
